I retired from instrumental music education in 2013. By the definition of retired, most people see that as a time of not having to be on the clock at a job. I did that for 34 years in public education and several years working for private organizations. I still do some occasional teaching. I usually go against the grain so why should my retirement be any different? I’m sure at some point I will “slow down” the pace and fully retire, but for now I’m having fun.

I was born before much technology permeated our world. Analog technology was becoming more the norm with whispers of something called digital. My dad bought our first color TV back in the late 60s. Our 2nd TV in the house, a Christmas gift from my parents, was also bought in the late 60s, was black & white because it was cheaper, but it made us a two-TV household.

I bought my first computer because teachers got a group discount by buying it through the local office supply in the community where I was teaching. The first 50,000 Apple IIgs computers that were manufactured had a reproduced copy of Steve Wozniak’s signature (“Woz”) at the front right corner of the case, with a dotted line and the phrase “Limited Edition” printed just below it. I bought one. “Whoopty-doo!” (My sarcastic voice used since there is no real value in that.)

There wasn’t much I could do with it other than create documents used in my teaching and my personal life – worksheets, course syllabus, letters, print out bank checks, household inventory, etc. I did an upgrade on it and my wife at the time got really upset because I spent $1,000 for additional drives and a memory upgrade. (I was still thinking like a bachelor. Huge mistake!)

My first PC was bought in the mid-90s. I was amazed at how much faster it worked. I could even surf the Web! Wow! (Sarcastic only because it would now be a slow dinosaur.)

So each time I gain on Technology, it quickly leaves me behind. Technology frustrates me at times and it is expensive.

Just as I gain a better standing and understanding in my studio, a piece of equipment wears out, it is no longer updated (for various reasons), or I need to add it to my system’s setup. That’s why many times during the year I feel as though I’m climbing a tree upside down (see picture). That guy and others exist. His name is Mukesh Kumar. He can go up 50 to 70 foot trees like that in less than 5 minutes. He started slow, short distances and increased over time. Here’s his short video: https://youtu.be/c1r9CeBpkNc). Besides the obvious, the difference between his work and mine is that the tree stays the same. Technology changes and marches onward.

Some days I feel like the next person in the next picture. That’s 24-year old Sasha DiGiulian from South Africa. She’s 5’2″ and all of 97 lbs. She has set several records as the first woman to make very difficult free climbs starting at age 11.

Composing and creating while I try to climb great heights in a musical sense, I sometimes find myself stuck because I need some type of additional equipment or additional software or an update of some kind to complete the task. Technology has captivated our world. It consumes us and swallows our time and money like a stellar black hole.

Like most people that have been trained to compose music, I find it is much simpler to use my No. 27: Carta Manuscript Paper, my Pentel Graph Gear 1000 Automatic Drafting Pencil, my Ticonderoga Yellow Pencil, No.1 Extra Soft Lead, and my Staedtler Mars Plastic Erasers (latex free with minimal crumbling), or I just grab a blank sheet of paper and sketch out my initial ideas very quickly. Yes, easier and less expensive, but not accepted in today’s film/TV industry or anywhere that there is a need for music in a media project or an ensemble. Such is the price and headache of the “modern” world.

Could I have chosen an easier path in retirement? Of course! But where is the challenge in that path? At least I am doing what I love to do. I’ve composed music in some form or fashion for 46 years and still counting!

Take a moment and ask yourself a question: If I had all the money I could spend, would I not still do what I love to do? My answer is that the money would make some things easier, but then you have to spend some portion of time with your accountant, your investment manager, and your lawyer to keep from being robbed blind. I believe a person should do what they love. I say, “Do whatever gives you the most enjoyment.” I just happen to have strong creative urges. Being a composer is a solitary endeavor that requires peace and quiet without distraction. Some people like to write, I prefer to compose in the language of music. When I grow up, maybe I’ll be as good as this guy! This is Jyoti Raju a.k.a. Monkey King.

I’m glad my mentors taught me music history, music theory, and music composition techniques that allowed me to arrange and compose for them and others.

Knowledge + Practical Application = Growth

Repeat ad infinitum. Repetitio est mater studiorum.

Since the age of 4, I have loved music. I’ve always loved learning. Thanks to my mom and starting me at a young age, I love film and media of many kinds. To me, music, film, and learning go hand-in-hand forevermore. Retirement is what you decide works best for you. I know what I love doing.

Let me know what you think about technology and/or the creative process.

I am closing my SoundCloud account at the end of this July. I’m letting everyone know so that they can still listen to my music by

1) continuing to visit my Facebook site
2) continuing to use ReverbNation (for the time being)
3) Visit my Website and use that player
4) visit my YouTube channel

You can also visit my IMDb page (http://www.imdb.com/name/nm5074464/) where there are a few reels there as well.

Thank you for your ongoing support while I make this adjustment.

Happy first day of Summer! I have now entered the realm of producing my own business commercials in an effort to gain additional exposure with advertising on the Web. For me, it was only as frustrating as taking my photos and my original music and getting it to say what I wanted in two minutes. It now reside front and center on my business home page (https://rcmclendoncomposer.com/).

Using iMovie (Version 10.1.6) as the software to pull it all together, I finally got the look that I wanted. For my first effort, I thought that it went fairly well. I will say that the sound on my Website and on YouTube has a much better sound quality than on my Facebook business page.

The decision to use this form of advertising is only one way to get the word out about my composing and my availability. The best way is face-to-face meetings and word-of-mouth referrals. Take a couple of minutes and watch and I hope you enjoy!

Music is more than just kids getting together and having fun. While doing some online reading, I came across this article giving highlights of a University of Southern California study that states their “initial study results show that music instruction speeds up the maturation of the auditory pathway in the brain and increases its efficiency.” This is fascinating information for parents, educators, and musicians.

Also, in Boston, researchers at Beth Israel Deaconess Medical Center discovered that “male musicians have larger brains than men who have not had extensive musical training.” The cerebellum area of the brain contains 70 % of the total brain’s neurons and the researchers found that the cerebellum was 5 % larger in expert male musicians.

One of my former colleagues and an instrumental director is hard at work on her Ph.D. and working toward a better understanding of these facts in her dissertation research. Luciano Pavrotti was correct when he said, “If children are not introduced to music at an early age, I believe something fundamental is actually being taken from them.”

The article I have referred to can be found at

Image result for multi-ethnic 6 year old musicians

As a composer, I believe it is important to pay attention to how different film directors think about and approach their craft, and ours. After all, we need to continually hone our collaborative skills since they are the focus for using our abilities successfully to serve and underscore the needs of the film, the TV show, or the video game.

For instance, I just spent last evening taking notes while once again reviewing the AFI Master Class where Spielberg and Williams discuss movie scenes that influenced their thinking and their collaborative process. My 34 years of teaching instrumental music, arranging and composing music, rewriting musical sections because they were too difficult or did not keep an audience focused, has everything to do with this business AND nothing to do with this business. In other words, I am still learning and making an effort to understand past the obvious. I’ve always truly believed that learning is a non-stop process; a continuous journey.

When I can, I prefer to learn from those that have already had success in this business. They have already forged ahead and are a wealth of knowledge and experiences. I have also discovered in my brief time of pursuing this path of composing for media that many within the category of experienced and proven directors and composers are more than willing to share their thoughts if the timing is correct for them. I would say to those just starting out to 1) zip the lips, 2) always be ready with your mind, 3) listen with empathy and deep interest, and 4) for Pete’s sake take good notes, 5) ask questions when the opportunity presents itself, and 6) be sincere as well as gracious with your compliments for their opinions and their time.

The attached Francis Ford Coppola interview presents his interesting perspective on the cinema. Some of the highlights include:
1) “If you don’t take a risk then how are you going to make something really beautiful, that hasn’t been seen before?”
2) “Try to disconnect the idea of cinema with the idea of making a living and money. You have to remember that it’s only a few hundred years, if that much, that artists are working with money.”
3) “When you make a movie, always discover what the theme of the movie is in one or two words.” (His explanation of why is quite interesting.)
4) “Napoleon once said, ‘Use the weapons at hand,’ and this is what a film director has to do everyday.”
5) Coppola discusses his idea from theatre and his use of a prompt book for his ideas.
6) When asked what the best piece of advice that he’s given to his children he said, “Always make your work personal. And, you never have to lie… It is very important for an artist not to lie, and most important is not to lie to yourself.” He also discusses how to handle questions in work or in life when you would prefer to lie.
7) What’s the biggest barrier to being an artist? Coppola answers, “Self-confidence always. The artist always battles his own/her own feeling of inadequacy.”


Quitting is NOT acceptable

Making a career in any part of the music business is challenging and difficult.  The rewards come later. I learned the lessons from this meme when I was 12 and 13 years old in the Boy Scouts. I nearly drowned while developing my skills for the swimming and lifesaving merit badges. The requirements for each merit badge were almost a deal breaker; the two hurdles I dreaded most because of a fear of deep water. I nearly chopped my left thumb into two parts (blade to the bone) while learning how to handle a hatchet; my poor vision. I wanted to return to the comfort of air conditioning while hiking (in boots with full pack and equipment) 10 miles one afternoon. I really missed my mom’s and my late grandmother’s cooking while learning how to survive on only two matches, an uncooked egg, a strip of raw bacon, no cooking equipment of any kind, and wilderness training during a rain-soaked weekend. I nearly sliced my left index finger off learning how to develop woodcarving skills. I jabbed my left palm a number of times with an awl making a pair of moccasins and with the needle while applying the beadwork. I nearly burned down our lean-to for four people on my first weekend camping trip during a cold and windy February in the middle of the night. I quickly learned how to fight fires in windy conditions. I challenged myself to overcome my fear of the dark by walking the trails on the scout reservation during the darkest nights by myself with the flashlight turned off. It is amazing how heightened your senses become in woods that are very secluded. The scout reservation bordered the back of Ft. Rucker Army Base and we could see the flares and hear the firing runs of the Huey helicopters on their night maneuvers.

There were other fast learning-curve moments when I really considered saying, “Enough!”, but I made a promise to my dad, who told me when I wanted to start the Boy Scouts, “If I invest in all this scouting equipment, uniforms, travel, etc., you need to stick with it.” I had quit the Cub Scouts when I was 10 years old. Of course, my response to him was, “I won’t quit.” I never knew or learned until that time how hard it is to live up to your commitment; especially to your dad. I began realizing how much I had taken my comfy life for granted. My parents would give advice when I asked, but the work was entirely my own.

Shortly after my 14th birthday (5 weeks as matter of fact in August of 1967), I received my Eagle Scout Award at the Eagle Ceremony for the council. I still hear my dad’s words of wisdom from time to time and I miss him often. “Never give up” is more than a phrase; easy to say – difficult to do. After earning my Eagle Award, 30 merit badges, earning my Vigil membership in the Order of the Arrow, being selected Senior Patrol Leader of our council’s delegation to the National Jamboree, serving on the Summer Camp Staff for 6 weeks each summer for 4 or 5 summers, and several other local and regional opportunities, the skills I learned have helped me through difficult situations throughout my life. I still had to work on some of the concepts for a few more years, but I’m really glad my father set the bar high. “Once an Eagle, always an Eagle.” The lessons regarding perseverance also carried in to my music studies, practice, growth and experiences, and continue to do so to this day.

Your Unsolicited Advice NOT Wanted


*This is not posted as an invitation into political debate or for receiving your unsolicited advice.

** Advice = “This is what I think you should do.”    Opinion = “This is what I think.”

I am always amazed at the audacity of unsolicited advice from people; those I know very, very well and those that I know. It is amazing at how well-meaning they are in their mind and how disrespectful they appear to me. These so-called “experts” must have a crystal ball. They would be far more productive if they would work for a government or a large agency to end world problems. Small-minded people believe their rules of thinking and accomplishment will work for everyone because “they know best,” “I have a right…,” and “based on my experiences.” If I choose to compose music for film, TV, videogames, enhancing the meal times for zoo animals, or two turtles that tango, that is my decision. Not yours.

Unsolicited advice is a downer, causes stress, and tends to alienate me. Some people think they are helping and some people just don’t think. In my view it is a total lack of respect for my space and validity as an adult. Your advice is nothing compared to someone that has been in the actual trenches related to my interests and goals. I can learn volumes from someone that has really “been there; done that.” That’s called respecting those that have gone before me. Unless you’ve done that, your opinions, your advice, your “experiences” are a waste of your breath and my time. I will quietly change my opinion of you and it is not for the better.

The only person that I will listen to unsolicited advice from is my mom. With that being said, she knows my temperament and I will still make my own choices and choose my own pathway of action. If I choose to ask for your advice, I have now allowed you to give me your best input; however, the choice of action I will choose to take is mine.

Take your advice, your drama, your desire to be a dominating force and move on. See! I said that nicely. I have told my students in the past multiple times that, “I already know what I’m going to do today. I have already made my decisions on how I will handle my business before I came to work. The question is what are you going to do?” Isn’t it shocking that adults in today’s world and in this country don’t think before they speak?

For more info check out this attached article.


Remember, the better the speakers, the
• More dynamic range, or simply the ability to play louder without sounding like trash as you crank the volume.
• Better bass. That doesn’t mean louder, “but better.” It’s more melodic, and not muddy—you can actually hear individual notes, an upright acoustic bass being plucked.
• “A very natural timbre.” Timbre is the “tone color” or how natural the sound is—if you played the voice of someone you know on a speaker with excellent timbre, it would sound exactly like them. Or if two different instruments play the same note, you’d be able to tell them apart very easily and cleanly.

I point this out only to emphasize the importance of having a quality speaker system and/or headphones. You’ll miss so much of the music since the frequency range of 20Hz to 20,000Hz (20kHz) is the range of typical human hearing (If you spent a lot of your adolescence in a rock band, in a disco, with the volume cranked up through your earbuds, and/or in a loud marching band, then your hearing is now probably squat.) In addition, the quality of an mp3 file (256 kbps) is far inferior to what you get on a CD (1,411 kbps), for instance. So as you can see, a lot of musical information is tossed out when converting to an mp3 file format.

Check out the interactive chart on instrument frequencies.


Let me know what you think.

Bridge Studio

My friend, Deane Ogden, has some great insights for any creative-minded person in any creative endeavor that may be dealing with hater(s) and/or trolls. If you’re new to the creative world and following your passion, this episode is for you! Keep creating your best work and put distance and time between you and the naysayers. Grab your drink and give a listen.

Deane is a successful, session drummer, composer, broadcaster, and advocate. His album, Kwela, was released physically August 4, 2015, in Africa, North and South America, Asia, and the United Kingdom. It was released worldwide August 9th, 2015 to more than 400 digital carriers. The album debuted at #1 in South Africa and went to #2 on the American iTunes world chart within five weeks. As of October 2015, Kwela had reached #1 on the iTunes world chart in 37 countries and the Top 10 in 51 countries.

WARNING: Raw language alert if you’re sensitive.

RC 0087: What To Do About Trolls and Haters

Rebel Creative

Most friends and people in general have NO idea about what it truly takes to break into the film/TV industry as a music composer or any music-related support capacity. It is not easy. It is not a job you apply for and work 9 to 5 five days a week. This is not something you do because you are egocentric. After investing in knowledge (which never stops), equipment and software (which seems to never stop), and time, (which never seems to be enough), there are other factors that come in to play.

  • Talent.
  • Knowledge.
  • Patience.
  • Networking.
  • Luck.
  • Persistence.
  • Personality.
  • Salesmanship.
  • Civility.
  • Compromise.
  • Selflessness.

Not in any order of importance, they all come into play, but some will carry more importance depending on the circumstances and the personalities that you may work for.  Idea-oriented and ease of working for the director/producer are a must – NO exception.  I’ve written this for myself as a reminder, but I share my thoughts with anyone that may be considering this as a work option.

Let me know what you think.

I remain,

Willing & Able
At Your Service

 RM Music Logo #5 (larger)